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Digitorial – Renoir. Rococo Revival

https://www.staedelmuseum.de/en/digital/digitorial-renoir-rococo-revival

Guido Reni

Bastian Eclercy (Head Italian, French, and Spanish Paintings before 1800, Städel Museum)Project management: Aleksandra Rentzsch (Assistant Curator of Italian, French and Spanish paintings before 1800).

https://www.staedelmuseum.de/en/guido-reni

Digitorial – Art and the Reformation

https://www.staedelmuseum.de/en/digital/digitorial-art-and-the-reformation

Digitorial – Rubens. The Power of Transformation

https://www.staedelmuseum.de/en/digital/digitorial-rubens

Digitorial – Titian and the Renaissance in Venice

https://www.staedelmuseum.de/en/digital/digitorial-titian-and-the-renaissance-in-venice

Exhibitions & Programme

We cordially invite you to acquaint yourself with our wide-ranging offers in various languages for children and adults, school classes, clubs, associations or company groups – and make every museum visit unique.

https://www.staedelmuseum.de/en/exhibitions-programme

Kollwitz

More than 110 striking works on paper, sculptures, and early paintings by the artist were on view, including outstanding loans from the Berlin Kupferstichkabinett, the Käthe Kollwitz Museum in Cologne, the Art Institute of Chicago, the Sprengel Museum Hannover, the Staatsgalerie Stuttgart and elsewhere.

https://www.staedelmuseum.de/en/kollwitz

Renoir. Rococo Revival

For the first time the Städel Museum adressed the surprising references in his art to Rococo painting in a large-scale special exhibition. Whereas Rococo painting was considered frivolous and immoral after the French Revolution, it underwent a revival in the nineteenth century and was widely visible in Renoir’s lifetime.

https://www.staedelmuseum.de/en/renoir-rococo-revival

Making van Gogh

How did it come about that Van Gogh became so popular especially in Germany? Who championed his oeuvre, and how did artists respond to it? The exhibition presented Van Gogh as a pivotal figure for art of the German avant-garde.

https://www.staedelmuseum.de/en/making-van-gogh

Georg Baselitz

His monumental “Heroes” in their tattered battle dress, figures marked as much by failure as they are by resignation, possess an accordingly contradictory character.

https://www.staedelmuseum.de/en/georg-baselitz

Rembrandt in Amsterdam

On the occasion of the exhibition “Rembrandt in Amsterdam: Creativity and Competition”, the Städel Museum organized an international conference on current art-technological research on Rembrandt’s paintings and works on paper.

https://www.staedelmuseum.de/en/rembrandt-in-amsterdam

Imprint Digitorial AfkM

The provider of this Internet presence as defined by German law is the Städelsches Kunstinstitut und Städtische Galerie, referred to below as “Städel Museum”.Postal address:Städel Museum / Städelsches Kunstinstitut und Städtische GalerieDürerstraße 260596 Frankfurt am MainPhone: +49-69-605098-0Fax: +49(0)69-605098-111E-Mail: info@staedelmuseum.deDirector: Dr

https://www.staedelmuseum.de/en/imprint-digitorial-afkm

Imprint Digitorial SuV

The provider of this Internet presence as defined by German law is the Städelsches Kunstinstitut und Städtische Galerie, referred to below as “Städel Museum”.Postal address:Städel Museum / Städelsches Kunstinstitut und Städtische GalerieDürerstraße 260596 Frankfurt am MainPhone: +49-69-605098-0Fax: +49(0)69-605098-111E-Mail: info@staedelmuseum.deDirector: Dr

https://www.staedelmuseum.de/en/imprint-digitorial-suv

Vices of Life

In its bicentennial year, Frankfurt’s Städel Museum was presenting prints by the English painter, engraver and etcher William Hogarth (1697‒1764).

https://www.staedelmuseum.de/en/vices-of-life

Foundations

The involvement of foundations is of key importance for the Städel Museum as a place of education, research and scholarly study. Our foundation partners accompany us in future-oriented exhibition and education projects.

https://www.staedelmuseum.de/en/support/foundations

Close Up

With the means of art, they—directly or indirectly—actively call upon us to take a stand ourselves.Discover this thematic focus online. Honoured with the DigAMus Award 2023.

https://www.staedelmuseum.de/en/digital/close-up

Jean-Jacques de Boissieu

The Städel Museum’s jubilee year starts with an exhibition of outstanding drawings and etchings by the French artist Jean-Jacques de Boissieu (1736–1810), which will be on display in the Exhibition Hall of the Department of Prints and Drawings.

https://www.staedelmuseum.de/en/jean-jacques-de-boissieu

Tokens of Friendship

In the exhibition, selected ‘new arrivals’ and works from the Städel’s collection thus corresponded and correlated with one another to the mutual enrichment of both.

https://www.staedelmuseum.de/en/tokens-of-friendship

Sigmar Polke

For the works he printed from 1967 to 1979 he preferred offset or silkscreen printing, two rather unsophisticated techniques in terms of craftsmanship and trivial methods from the artistic point of view, to transport and spread seemingly random, irritating comments on art and society.

https://www.staedelmuseum.de/en/sigmar-polke

Accessibility

There is a lift at the main entrance of the Städel Museum (Schaumainkai 63) for visitors with limited mobility and visitors with prams or pushchairs.

https://www.staedelmuseum.de/en/visit/accessibility

Shifting Points of View

“Shifting Points of View” is an education initiative intended to support thinking and acting in a way that promotes democracy—through an ever-expanding art education programme consisting of discursive guided tours, digital offers, practical art seminars, workshops and much more.

https://www.staedelmuseum.de/en/exhibitions-programme/shifting-points-of-view

John Baldessari

“200 Years Städel”, the bicentennial celebrations of Frankfurt’s Städel Museum, culminated with a solo exhibition of works by the internationally renowned American artist John Baldessari.

https://www.staedelmuseum.de/en/john-baldessari

Before Dürer

The Städel Museum devoted an exhibition to the engraving in its early days as an artistic pictorial medium. The show presented some 130 important German and Netherlandish engravings of the fifteenth century, and thus retraced the development of the medium from its simple beginnings to ever more sophisticated creations.

https://www.staedelmuseum.de/en/before-duerer

Lotte Laserstein

The Städel Museum in Frankfurt am Main presented a comprehensive solo exhibition with works by Lotte Laserstein. Her oeuvre is one of the great recent art historical rediscoveries and features sensitive and compelling portraits from the final years of the Weimar Republic.

https://www.staedelmuseum.de/en/lotte-laserstein

Picasso

Whether etching, drypoint, lithography, or linocut, with never-dwindling curiosity and virtuosity, Picasso gained expertise in a wide variety of printmaking techniques, always questioning what he had found in new and experimental ways.

https://www.staedelmuseum.de/en/picasso

Städel | Women

The Roederstein-Jughenn Archive domiciled in the Städel Museum since 2019 provides insights into a network of women around Roederstein who supported and encouraged one another in matters of training and exhibiting, while also providing each other practical help.

https://www.staedelmuseum.de/en/staedel-women

Faces of the Time

Hugo Erfurth (1874–1948)Study for a Portrait in Landscape (Helene Erfurth), 1900Bromoil transfer print, 29.6 x 21.9 cmStädel Museum, Frankfurt am MainJoint property with the Städelscher Museums-Verein e.V.

https://www.staedelmuseum.de/en/faces-of-the-time

Images of Italy

The Städel Museum presented a selection of early photographs of Italy. The exhibition united altogether ninety major photos of the years 1850 to 1880 from the museum’s own collection.

https://www.staedelmuseum.de/en/images-of-italy