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In addition, the exhibition features two paintings by his son, Pieter Brueghel the Younger, as well as further sheets from the Städel Museum’s impressive collection of Dutch prints, including works after Frans Floris, Lambert Lombard and Raphael.Curator Dr Astrid Reuter (Head of Prints and Drawings before 1800, Städel Museum).
https://www.staedelmuseum.de/en/bruegel
With “Carl Schuch and France”, the Städel Museum invited visitors to embark on a journey of discovery that put the artistic cosmopolitan and his impressive visual world in the spotlight they deserve.CuratorsAlexander Eiling (Head of Modern Art, Städel Museum)Juliane Betz (Deputy Head of Modern Art, Städel Museum)Neela Struck (Associate Curator, Modern Art, Städel Museum)In collaboration with Dr Roland Dorn (author of the Carl Schuch catalogue raisonné).
https://www.staedelmuseum.de/en/carl-schuch-and-france
Stillleben mit Gemüse” will only be accessible until 3.00 pm on Thursday, 18 June.Wednesday, 24 JuneDue to an event, part of the exhibition “Elmgreen & Dragset.
https://www.staedelmuseum.de/en/elmgreen-dragset
The Städel Museum’s programme for 2017 kicked off with an exhibition looking at the representation of spatial concepts in drawing and printmaking.
https://www.staedelmuseum.de/en/into-the-third-dimension
One of the artist’s most well-known and most important works, the “Self-Portrait with Champagne Glass (1919)”, has been secured for the Städel in 2021.
https://www.staedelmuseum.de/en/staedels-beckmannbeckmanns-staedel
Highlights of the exhibition included the work “Breathing Curve”, 2025, created especially for the exhibition, and the premiere of her latest video work, “Matthias, Helge and Asta” (2025), featuring Matthias Brandt, Helge Schneider and Asta Gröting herself as protagonists.CuratorSvenja Grosser, Head of Contemporary Art, Städel MuseumProject ManagerGioia Mattner, Assistant Curator of Contemporary Art, Städel Museum
https://www.staedelmuseum.de/en/asta-groeting
More than 110 striking works on paper, sculptures, and early paintings by the artist were on view, including outstanding loans from the Berlin Kupferstichkabinett, the Käthe Kollwitz Museum in Cologne, the Art Institute of Chicago, the Sprengel Museum Hannover, the Staatsgalerie Stuttgart and elsewhere.
https://www.staedelmuseum.de/en/kollwitz
On more than 15,000 square metres of exhibition space you can take inspiration from paintings and sculptures, photographs, drawings and prints. Discover the permanent exhibition on site—and even more art in our Digital Collection.
https://www.staedelmuseum.de/en/collection-permanent-exhibition
In the exhibition, selected ‘new arrivals’ and works from the Städel’s collection thus corresponded and correlated with one another to the mutual enrichment of both.
https://www.staedelmuseum.de/en/tokens-of-friendship
The Städel Museum dedicated the first retrospective to her, developed in collaboration with the artist.Central themes in Soltau’s work include feminism, body politics and the challenge of human and female identity.
https://www.staedelmuseum.de/en/annegret-soltau
From Dürer to Lady Gaga, from Beckmann to Lotte Laserstein: the Städel Museum and the Liebieghaus Skulpturensammlung will present the first comprehensive exhibition in the German-speaking world dedicated to the extraordinary figure of Mary Magdalene.
https://www.staedelmuseum.de/en/mary-magdalene
At the centre of the exhibition is one of the most famous and, at the same time, most enigmatic paintings in the Städel Museum: “The Little Garden of Paradise” (ca. 1410–20).
https://www.staedelmuseum.de/en/welcome-to-paradise
A complex picture of the training and working situation faced by women artists in the modern age emerged from the perspective of the networks, spanning from the struggles of the trailblazers in Paris in the 1880s, to the first women sculptors at the Städel art school around 1900, to a young, self-confident generation of women artists involved with the Neues Frankfurt during the 1920s and 1930s.
https://www.staedelmuseum.de/en/staedel-women
With photographs by Wolfgang Tillmans, Pietro Donzelli, Barbara Klemm, Nobuyoshi Araki and Jack Pierson, the cabinet presentation in the permanent exhibition of the Contemporary Art Collection showed an artistic perspective on everyday life. A wilted bouquet, power poles passing outside the car window, chance encounters with pedestrians on the street: it takes the artistic perspective on everyday life to reveal impressions as fleeting as they are unexpected. .
https://www.staedelmuseum.de/en/bilderwelten-aus-dem-alltag
The Städel Museum presented a solo exhibition with altogether 16 pieces by Fürhofer, including a site-specific work. In the rooms devoted to the museum’s contemporary art collection, the artist staged a mystical jungle landscape in which nothing was as it seemed to be.
https://www.staedelmuseum.de/en/philipp-fuerhofer
On the occasion of the exhibition “Rembrandt in Amsterdam: Creativity and Competition”, the Städel Museum organized an international conference on current art-technological research on Rembrandt’s paintings and works on paper.
https://www.staedelmuseum.de/en/rembrandt-in-amsterdam
For the exhibition, the Städel Museum collaborated with the Hamburger Kunsthalle to bring together works from their own collections and leading European museums, among them the Musée d’Orsay, the Musée Picasso and the Centre Pompidou in Paris, the Museum Boijmans Van Beuningen, Rotterdam, the Kunstmuseum Basel and the Musée des Beaux-Arts de Lyon.
https://www.staedelmuseum.de/en/outstanding
In the 1980s, Nan Goldin and David Armstrong then pointed their lenses at their private surroundings and offered intimate insights into their own lives and those of their friends.
https://www.staedelmuseum.de/en/scenes-of-america
Whether etching, drypoint, lithography, or linocut, with never-dwindling curiosity and virtuosity, Picasso gained expertise in a wide variety of printmaking techniques, always questioning what he had found in new and experimental ways.
https://www.staedelmuseum.de/en/picasso
An exhibition organised by the Städel Museum, Frankfurt/Main, and the Kunsthistorisches Museum Vienna. Curators: Prof. Dr.
https://www.staedelmuseum.de/en/rubens
The examination of the myth of Étretat thus also makes it possible to understand, as if under a magnifying glass, the ambivalent effects of the popularization of a place and the role that art played in this process.CuratorsAlexander Eiling (Head of Modern Art, Städel Museum)Eva Mongi-Vollmer (Curator, Städel Museum)Stéphane Paccoud (Conservateur en chef, Peintures et sculptures du XIXe siècle, Musée des Beaux-Arts de Lyon)Isolde Pludermacher (Conservatrice générale peinture, Musée d’Orsay, Paris)In cooperation with Eva-Maria Höllerer (Curator, Städel Museum)Nelly Janotka (Assistant Curator, Städel Museum).
https://www.staedelmuseum.de/en/monet-on-the-normandy-coast
For the first time the Städel Museum adressed the surprising references in his art to Rococo painting in a large-scale special exhibition. Whereas Rococo painting was considered frivolous and immoral after the French Revolution, it underwent a revival in the nineteenth century and was widely visible in Renoir’s lifetime.
https://www.staedelmuseum.de/en/renoir-rococo-revival
In addition to prominent international loans from institutions such as the Museum of Fine Arts, Boston, the Ny Carlsberg Glyptotek in Copenhagen, the Tate Modern in London, the Museo Thyssen-Bornemisza in Madrid, the Metropolitan Museum of Art in New York and the Musée d’Orsay in Paris as well as numerous private collections, the exhibition also featured works from the Städel Museum’s own rich impressionist art holdings.
https://www.staedelmuseum.de/en/en-passant
Based on selected works from the Collection of Prints and Drawings, the exhibition presents over sixty exhibits in different media and from various eras on this fascinating topic, including drawings, paintings and sculptures, from the Old Masters to Contemporary Art.
https://www.staedelmuseum.de/en/surface
The Städel Museum’s jubilee year starts with an exhibition of outstanding drawings and etchings by the French artist Jean-Jacques de Boissieu (1736–1810), which will be on display in the Exhibition Hall of the Department of Prints and Drawings.
https://www.staedelmuseum.de/en/jean-jacques-de-boissieu
Under the title “Overture”, works in various media and disciplines—including installation, sculpture, painting, film, and performance—were on view by a total of 30 graduates.The exhibition offered insights into the recent developments in contemporary art and reflected a broad spectrum of artistic practices and discourses.
https://www.staedelmuseum.de/en/overture-graduate-show
CuratorSvenja Grosser (Deputy Head of the Collection of Contemporary Art, Städel Museum) Project CoordinatorMaja Lisewski (Assistant curator, Collection of Contemporary Art, Städel Museum)
https://www.staedelmuseum.de/en/victor-man
A creative space for children—come in, explore, and get creative!
https://www.staedelmuseum.de/en/programme/open-studio
A particular highlight of the exhibition were the two paintings the artists owned by one another, which were shown together for the first time. Another highlight was Matisse’s “Large Reclining Nude” of 1935—a key work which has not been on display in Germany for more than thirty years and which has been on loan from the Baltimore Museum of Art.
https://www.staedelmuseum.de/en/matisse-bonnard
The exhibition also looked back at Vasarely’s beginnings as an artist with such works as “Hommage au carré” (1929) or figurative paintings like “Autoportrait” (1944).
https://www.staedelmuseum.de/en/victor-vasarely